Personal: http://www.massimovitali.com/ and Representation: http://www.billcharles.com/
Massimo Vitali is a photographer, born in Como, Italy in 1944. Vitali studied photography in London; he first worked as a photojournalist in the 1970s and then worked later as a moviecamera operator. His more recent work is fine art photography.
For many of his works, Vitali stands on a podium four or five meters high, and uses large-format film cameras to capture high-resolution details over a broad expanse in locations such as beaches. Care of Wikipedia.
Jo Metson Scott is a well regarded photographer whose portrait and documentary work has taken her around the world. Her photographs have appeared in a diverse range of places and publications including The Photographers' Gallery, The New York Times, The Telegraph, Guardian, i-D and, Harpers Bazaar. The serene, clean composition, often unusual perspective and her use of colour, sets Jo amongst the UK's leading young artists in her field. Her images often freeze a tableau in an intriguing way, inviting you to dwell on the image and wonder at the story.
Sophie, born in the Alps in 1976, is a London-based photographer. She has worked in advertising for almost a decade (BDDP&Fils, TBWA/Paris, Mother, Santo London).Sophie now dedicates herself fully to photography.
Personal Website http://jacoblangvad.com/
Jacob Langvad is a Danish photographer and visual ethnographer. His photographic work is based around advertising, portrait and reportage photography as well as visual ethnography. His work can be described as having an unembellished, yet informed documentary style reflecting an intense labor of subtlety and precision.
Personal Website http://www.frankhuelsboemer.de/ Representation http://visualartistsuk.com/frank-hulsbomer/overview
born in münster/germany 1968
lives and works in berlin
Personal Website http://woutervandevoorde.com/
I am essentially a landscape painter. When I started making images I was painting outside with my easel in the middle of the night, trying to capture the darkness in oil-painting. I explore(d) my urban environment by foot or by bike, carefully mapping my battleground. From day one it was all about capturing places that had an atmospherical charge to it.
Through a shit-storm of soul-searching and surrealist detours in painting, photography has brought me back to the essence of my love for image making: portraying fragments of (urban) reality, attempting to construct images strong enough to carry the mood I wish to create. I can’t restrict myself to one particular concept, although the vowels and consonants of the landscape’s alphabet dictate my phrases.
Moving from Belgium to Australia has made me into a photographer (painter) in exile. As a permanent tourist, an alien, I capture things on this side of the world. I seek refuge in my images, trying to create a sense of belonging for myself.
I live and work in Canberra, Australian Capital Territory
for all inquiries mail to firstname.lastname@example.org
His meticulously crafted photographs range in scope from vast landscapes to intimate interiors, cars and technology, epic set-ups and close-up still life. Strong, striking and inherently stylish, his work has an uncommonly clean graphic quality, resulting from REDGROVE's subtle experimentations with angles and scale.
Bio c/o Walter Schupfer online.
Simon Norfolk was born in Lagos, Nigeria, in 1963 and educated in England, finishing at Oxford and Bristol Universities with a degree in philosophy and sociology.
After leaving a documentary photography course in Newport, South Wales, Norfolk worked for far-left publications specializing in work on anti-racist activities and fascist groups, in particular the British National Party. In 1994 he gave up photojournalism in favor of landscape photography.
His book For Most of It I Have No Words: Genocide, Landscape, Memory, about the places that have witnessed genocide, was published in 1998. The work was exhibited at many venues, including the Imperial War Museum in London, the Nederlands Foto Instituut, and the Holocaust Museum in Houston, Texas. Photographs of the war in Afghanistan in 2001, published as Afghanistan: Chronotopia, won the European Publishers' Award for Photography and an award from the Foreign Press Club of America and was nominated for the Citibank Prize.
In 2004, Norfolk won the Infinity Award from the International Center of Photography in New York and in 2005 Le Prix Dialogue in Arles. His most recent book, Bleed, about the aftermath of war in Bosnia, was published in 2005. His work appears regularly in the New York Times Magazine and the Guardian Weekend.
Personal Website: www.simonnorfolk.com
Personal Website http://www.vincentfournier.co.uk/
Read interview on photography journal F stop http://www.thefstopmag.com/?p=616